In a shocking new documentary, film-maker Erin Lee Carr cracks open the network that allowed an Olympic coach to molest at least 250 women and girls
For more than two decades, Larry Nassar used his position as an osteopathic physician at Michigan State University and longtime doctor for the United States womens gymnastics team to molest at least 250 women and girls under the guise of medical treatment. The manipulation ran so deep that his victims for years believed there was nothing to report. In many of the cases the abuse happened while a parent was in the room, a tragic detail that offers an alarming metaphor of how blind we can be. It was literally happening in front of our eyes.
Not until a former gymnast named Rachael Denhollander became the first woman to publicly accuse Nassar in September 2016 more than a year before #MeToo and the tipping point of a societys reckoning with sexual assault were Nassars many victims emboldened to break their silence. Denhollanders courage encouraged more survivors to come forward, including Olympic champions and household names like Simone Biles, Gabby Douglas, McKayla Maroney, Aly Raisman and Jordyn Wieber, until the trickle became a deluge, generating the momentum necessary to bring a pillar of the community to justice and not without initially severe public backlash.
This, the biggest sexual abuse scandal in US sports history, is the subject of At the Heart of Gold, Erin Lee Carrs documentary that airs on HBO after premiering at this years Tribeca film festival. On the surface, the blend of archival footage and talking head interviews with current and former female gymnasts doesnt offer a whole lot that hasnt previously come to light. Nassars grooming techniques had already been recounted in stomach-turning detail during his trial, while the many institutional failures that enabled the abuse were laid out exhaustively in the Ropes & Gray independent report commissioned by the US Olympic Committee in the aftermath. None of the big-name Olympians who spoke out against Nassar in court last year participated in the filming.
And yet the 88-minute film succeeds where mainstream media too often failed as the story unfolded, making full use of its feature-length canvas in pulling together the many complex threads of a story that was always bigger, and more sinister, than a single monster.
I was and am a big fan of the Olympics, of Americans going forth on the international stage and trying to win medals for their country, Carr told the Guardian. I believed in the beauty of that. But in researching and producing this doc, it showed me the institutions that build these young women to put them on that trajectory toward the Olympics are not looking out for their best interests. Theyre predatory.
She added: Documentary is an incredible format to not just hear or read the words that these women are saying in court but to feel it. One of the most iconic parts of the film is the look on the face of the mother of Kyle Stevens, the only non-medical Nassar survivor to come forward. The expression on her face. She doesnt say anything but her face says everything.
There are any number or reasons why contemporaneous news coverage of the Nassar scandal was lacking. Maybe its because the story centered on a sport to which people rarely pay attention during non-Olympic years. Maybe its because it involved the less familiar terrain of abuse by a doctor, unlike more common cases of sex abuse involving teachers or coaches. Or maybe its because abuse of women is normalized in our society and the scandal fits into our framework of how we understand womens gymnastics: that on some level we expect young women to be victimized, so its less surprising when they are.
This post was curated & Posted using : RealSpecific
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